Sound Synthesis
The overall sound quality of an instrument, or timbre, is shaped by a variety of factors. These include the mixture of frequencies present in a sound wave, as well as the wave’s intensity over time.
Additive synthesis builds this mixture by adding pure sine waves together:
The amplitudes shape the harmonic content of the sound. The pitch of a particular note is largely determined by the fundamental frequency , but the higher harmonics (aka overtones) also effect the sound quality.
Below, you also have access to the sound’s ADSR envelope (attack, decay, sustain, release). Together, these shape the volume as a function of time for each note played.
Additive Synthesizer
Shape harmonic amplitudes, play chords on the piano keyboard, and compare the live waveform with a spectrogram.
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What the Graphs Mean
The composite waveform shows one repeating cycle of the recipe you are shaping. The live waveform uses a fixed scrolling speed and fixed display scale, so pitch shows up as spatial spacing. The spectrogram turns that same sound into a moving frequency picture: lower notes sit near the bottom, higher harmonics stack above them, and brighter colors mean stronger frequency components.
Problem Solving
Harmonic Frequencies
Harmonic Frequencies
Problem
A note has fundamental frequency . Find the first four harmonic frequencies.
Solve
Harmonics occur at integer multiples of the fundamental:
The first four are , , , and .
Reading a Spectrogram
Reading a Spectrogram
Problem
A spectrogram has bright bands at , , and . What fundamental frequency do these bands suggest?
Solve
The bands are integer multiples of :
The likely fundamental is .
Sound Synthesis Checkpoint1 of 3